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类型:剧情片
主演:松米特拉·查特吉 马达比·慕克吉 沙伊伦·慕克吉 希亚马尔·戈沙尔 G
导演:萨蒂亚吉特·雷伊
语言:其它
年代:未知
简介:恰鲁拉达(MadhabiMukherjee饰)和丈夫结婚了,然而,令她没有想到的是,等待着自己的并非充满了幸福和快乐的婚姻生ddd。恰鲁拉达的丈夫是一名知识分子,虽然饱读诗书,但他选择将全部的精力投入到研究政治刊物之中,在他的思维里,妻子只需要料理好家事即可,并不需要自己的陪伴和理解。 随着时间的推移,恰鲁拉达和丈夫之间的关系越来越冷淡,她终日生活在孤独之中,内心里非常的苦闷。就在这个节骨眼上,丈夫的堂兄走近了恰鲁拉达的生活,他是一位热情洋溢的诗人,对生活充满了憧憬,在他的影响下,恰鲁拉达渐渐走出了忧郁,并且明白了如何追求心中的梦想。
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类型:恐怖片
主演:迪尔德丽·穆林斯 Derbhle Crotty 保罗·肯尼迪 谢默斯·
语言:英语
年代:未知
简介:一部涉及缓刑官凯茜·麦登(CathyMadden)的惊悚片,她的任务是让臭名昭著的杀手血腥玛丽-莱德洛(MaryLaidlaw)在入狱20年后重新回到社eee。凯西一直相信每个客户都应该有机会得到救赎,但当两个孩子在玛丽的农场附近失踪时,她的信念受到了严峻的考验。
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类型:喜剧片
主演:菲奥娜·嘉伯曼 本·劳森 托宾·贝尔 基斯·鲍威尔 艾波·斯蒂文斯 罗
导演:Rick Hays
语言:英语
年代:未知
简介:bbbAcontemporarycomedyabouttwopeoplewhomeetjustastheirpreviousrelationshipshaveimplodedinuglyfashion.Inadesperatebidtoreboottheirromanticfortunes,theyplayfastandloosewiththefactsandignoremoreredflagsthanyou'dseeinaChineseArmyparadeinordertostartsomethingfreshwitheachother.Then,just10daysintotheirnewlives,thejigisupandthewheelsstartcomingoffthelovewagoninhilariousandsurprisingways.
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类型:喜剧片
主演:法蒂娅·尤瑟夫 Médina El Aidi-Azouni Esthe
导演:麦穆娜·杜库雷
语言:法语
年代:未知
简介:故事讲述艾米,一个11岁的女孩,在学校加入了一个名为“可爱”的舞蹈团,她很快就意识到她日益增长的女性气质——在这个过程中,这让她的母亲和她的价值观感到不ddd。
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类型:喜剧片
主演:Rudolf Waldemar Brem Huseyin Ekici
导演:Sören Hüper Christian Prettin
语言:其它
年代:未知
简介:发生在五个厕所里的五个故aaa。这部黑色幽默情景喜剧无情地揭示了社会最黑暗的角落,将人性中背信弃义的故事编绘成杂锦展现给观众。五个彼此缠绕的故事以暗示的手法讲述,意图向观众阐释对道德的谴责。(豆瓣字幕翻译2.0小组)
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类型:爱情片
主演:弗雷德里克·马奇 伊夫琳·维纳布尔 盖伊·斯坦丁 凯瑟琳·亚历山大 吉
导演:米切尔·莱森
语言:英语
年代:未知
简介:BecauseIcouldnotstopforDeath,hekindlystoppedforme;thecarriageheldbutjustourselvesandimmortality”–EmilyDickinson IfDeathtookaholiday,thegunswouldgosilentinIraq,theslaughteronournation’shighwayswouldcease,andthenewsmediawouldbecompelledtocoverpositiveeventsinthehumanities,arts,andsciences.Unfortunately,Deathhasnothadavacationinrecordedhistory,butMitchellLeisen’s1934fantasy,DeathTakesaHoliday,allowsustoconsiderthepossibility.Co-writtenbyMaxwellAndersonandGladysLehmanandbasedontheplayLaMorteinVacanzabyAlbertoCasella,DeathTakesaHolidaystarsFredericMarchastheGrimReaperwhotakesonhumanforminanattempttodiscoverwhymenfearhimsomuch.Whyhehaswaited5,000yearstosatisfythiscuriosityisnotexplained. [Spoiler]Afterabrieftryoutasashadowyfigurewhoscaresthedaylightsoutofthosethatcrosshispath,Deathshowsupat,ofallplaces,anupscalepartyatanItalianvilla,posingasthemysteriousPrinceSirki.Onlyonepersonknowswhohereallyis,thehostDukeLambert(GuyStanding),andheissworntosecrecy.Sirkiproceedstofascinatetheguests.Giventoburstsofwitandpoetry,hecanjustasquicklyturnsullenandthreatening,andsomesoonfindoutthatitisbetternottolooktoodeeplyintohiseyes.DuringthethreedaysinwhichthePrinceisatthevilla,however,peopleallovertheworldmiraculouslyescapedeathandpotentialsuicidesaredoomedtofrustration. Toseewhat’sbehindalltheconversationaboutlove,thesuavebutnaïvePrinceSirkifallsfortheirresistibleGrazia(EvelynVenable),thedaughterofoneofDuke’sfriends.GraziaknowswhoDeathisbutdoesnotfearhim,muchtothechagrinofherfiancé,Corrado(KentTaylor)whohasdevelopedastrongdisdainforPrinceCharming. MoresinisterthanBradPittinthe1998remakeMeetJoeBlack,Marchturnsinaveryconvincingperformanceasthecreepyyetstrangelyappealingguest.Althoughtheendingismelodramatic,theemotionsareveryrealandthesuggestionthatDeathmayinrealitybeafrienddisguisedasafoeisquitetouching. (HowardSchumann,talkingpix.co.uk) Inthiswearisomeandpredictableplotline,Deathfallsinloveandboresustodeathtalkingaboutit. (DennisSchwartz,homepages.sover.net) I'veheardDRACULAwasadvertisedwiththetaglineTheWeirdestLoveStoryevertolccc!(thisisprobablyaparaphrase),butatheart,I'veneverfeltthatyoucouldhonestlycallthatmoviealovestory.Thetaglinewouldbemuchmoreappropriateforthisone,sinceitultimatelyboilsdowntowhatamountstoalovestory.Thismovieisverygoodindeed,particularlyifyouconsiderthatitisbuiltaroundaconceptthatcouldhaveeasilybeenhandledinacuteorfacilemanner.Instead,itishandledasseriouslyaspossible,withsomerealthoughtputintohowdeathwouldtrytocometotermswithalifeandanoutlookthatwastothatpointtotallyunfamiliartohim;muchofthecreditdoesgotoFredricMarchinthetitlerole.It'squitescarywhenitneedstobe,particularlyduringthefirsttwentyminutes.Fromthenon,itdealswithitsthemeswithsubtlety,aquietwit,anenduringsadness,andaneverpresenttensiononhowDeathmightreactifcrossed.It'snotperfect;someofthedialogueisself-consciousandartificial,asifthewritersknewtheyweredealingwithweightyissuesandweretryingtobeprofound.ButIamcertainlygladtheydidn'ttrytoturnitintoamusicalcomedyofsorts. (DaveSindelar,scifilm.org) SeealsotheremakeDeathTakesAHoliday(1971)