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搜到与剧情相关的结果
  • 华人侦探陈查理之上海眼镜蛇

    备注:已完结

    类型:剧情片

    主演:悉尼·托勒 曼坦·莫兰 邝炳雄 

    导演:菲尔·卡尔森 

    语言:英语

    年代:未知

    简介:bbb

  • 坠毁点:柏林上空惊魂90分钟

    备注:已完结

    类型:剧情片

    主演:Peter Haber Maximilian von Pufendor 

    导演:Thomas Jauch 

    语言:其它

    年代:未知

    简介:一次撞机后,已经失控的客机的继续飞行在德国上eee。撞击点却不得而知,而柏林的中心在精准的计算后,也就是现在,为了阻止灾难的降临,必须将飞机必须击落以获得更小的损失。

  • 朝鲜精神科医师刘世丰第二季特辑

    备注:已完结

    类型:剧情片

    主演:金旻载 金香起 金相庆 

    导演:朴元国 姜熙主 

    语言:韩语

    年代:未知

    简介:ddd

  • 钢之炼金术师完结篇复仇者斯卡

    备注:已完结

    类型:剧情片

    主演:山田凉介 本田翼 藤冈靛 新田真剑佑 莲佛美沙子 佐藤隆太 仲间由纪惠 

    导演:曾利文彦 

    语言:日语

    年代:未知

    简介:aaa

  • 朵拉或我们父母的性神经官能症

    备注:已完结

    类型:剧情片

    主演:维多利亚·舒尔茨 简妮·席丽 拉斯·艾丁格 Urs Jucker 

    导演:斯蒂娜·维仁菲尔 

    语言:其它

    年代:未知

    简介:智力残障的十八岁少女朵拉在母亲停止其精神治疗药物后仿佛从冗长的沉睡中醒bbb。她开始对自己的身体、感官甚至性进行探索。她的探究与渴求让父母惊讶不已,而更让他们震惊的是女儿居然和一个市集小商贩有染。怒不可遏的父母并不能阻止一切的发生。随着事情的恶化,所有人都必须开始重新审视 人与人间的关系、自我的主导、信任与妒忌……

  • 紫罗兰永恒花园交响音乐会2021

    备注:已完结

    类型:剧情片

    主演:吉田行地 石川由依 唐泽美帆 茅原实里 结城爱良 埃文·考尔 

    导演:未知

    语言:日语

    年代:未知

    简介:紫罗兰永恒花园交响音乐会2021,演奏包括TV剧集、外传与剧场版在内的音乐,两日三场公bbb。

  • 关于在短时间内的某几个人的经过

    备注:已完结

    类型:剧情片

    主演:未知

    导演:居伊·德波 

    语言:法语

    年代:未知

    简介:cccVoice1(maleprofessionalannouncertype)Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.  Thesepeoplealsoscornedsubjectiveprofundity.Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.  Voice2(Debord,monotone)Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.  Voice1Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.  Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.  Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.  Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.  Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.  Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.  Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...  Voice2Ourlifeisajourney”Inthewinterandthenight.”Weseekourpassage...�  Voice1Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.  Voice2Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.  Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiverseobjectsandcancompletelyloveonlyoneatatime.  Voice3(younggirl)Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.  Voice1Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.  Voice2Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization'sformsoflanguage.  Voice1Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymomentordinarylife�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.  Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnantnuns.  Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.  Voice2Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecauseofthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass'smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.  Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheruseoftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.  Voice3Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.  Voice1Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.  Voice2Years,likeasingleinstantprolongedtothispoint,cometoanend.  Voice1Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.  Voice2Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept  Voice3Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven'tchangedanything.  Voice2Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.  Voice1Reallyhardtodrinkmore.  Voice2Ofcourseonemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation”poorandfalselikethisbotchedtravelingshot.  Voice3Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentimentsTheonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.  Voice2Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.  Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.  Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint  Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.  1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

  • 你的荒野求生电影版:出逃的野兽

    备注:已完结

    类型:剧情片

    主演:贝尔·格里尔斯 

    导演:未知

    语言:英语

    年代:未知

    简介:这是一部激动人心的90分钟互动式电影,适合全家观eee。野生动物保护区周围的防护栅栏已经遭到神秘破坏,现在动物们正处于失散状态。贝尔被召来帮助营救一只顽皮的狒狒,追踪一头饥肠辘辘的狮子,同时在更多动物逃跑之前修好栅栏。三个紧急任务在等着您,并且时间紧迫,贝尔需要您的帮助。由于有可能完成神秘任务,每个决定都会影响这场互动式冒险,因此让您的选择发挥上作用吧!

  • 神探伽利略XX 内海薰最后的案件 愚弄

    备注:已完结

    类型:剧情片

    主演:柴崎幸 中山裕介 柳乐优弥 福山雅治 吉高由里子 北村一辉 品川祐 

    导演:西谷弘 

    语言:日语

    年代:未知

    简介:九个月前,正值而立之年的内海薰(柴崎幸饰)突然接到远赴美国俄克拉何马州研修的通知,情知自己正成为警界可有可无之人,薰在焦虑烦恼的同时也暗下决心要干出一番业ddd。就在此时,机会从天而降。在街上执行任务时她偶然发现一名看护师用轮椅推着早已死亡的老人,进一步调查发现看护师上念研一(中山裕介饰)竟是长野县通缉的在逃犯。在薰的面前,上念供诉了杀害主家女儿的经过。风光得意的薰在公众和同侪的注视下担当押送嫌犯的重任,谁知上念抵达长野后推翻了之前的供词,令内海陷入窘境。在此之后,他只得与新人当摩健斗(柳乐优弥饰)联手调查,却意外探知到九年前的一起冤案。  内海薰最后的案件,朝向未知的方向推进……

  • 我的家政夫渚先生:新婚大叔特别篇

    备注:已完结

    类型:剧情片

    主演:多部未华子 大森南朋 濑户康史 

    导演:坪井敏雄 

    语言:日语

    年代:未知

    简介:工作干练但不擅长家务的单身女子相原芽衣在生日夜晚,突然遇到身披围裙的大叔鴫野渚(大森南朋饰),殊不知大叔是个家务全能的超级家政ddd。芽衣起初有些抵触,却在相处中慢慢依赖上了家政夫。

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